Laurence Harvey (born Zvi Mosheh Skikne; 1 October 1928Harvey altered his birth year to 1927 to gain entry to the South African Navy when he was aged only 14, and 1927 now appears in many sources.25 November 1973) was a Lithuanian-born British actor and film director. He was born to Lithuanian Jewish parents and emigrated to South Africa at an early age, before later settling in the United Kingdom after World War II. In a career that spanned a quarter of a century, Harvey appeared in stage, film and television productions primarily in the United Kingdom and the United States.Laurence Harvey, Stage, Film Actor By Jean R. Hailey. The Washington Post and Times-Herald 27 November 1973: C10.
Harvey was known for his clipped, refined accent and cool, debonair screen persona. His performance in Room at the Top (1959)Obituary Variety, 28 November 1973, p. 62. resulted in an Academy Award nomination for Best Actor. That success was followed by the roles of William Barret Travis in The Alamo and Weston Liggett in BUtterfield 8, both films released in the autumn of 1960. He also appeared as the brainwashed Sergeant Raymond Shaw in The Manchurian Candidate (1962). He made his directorial debut with The Ceremony (1963), and continued acting into the 1970s until his early death in 1973 of cancer.
Billed as Larry Skikne, he appeared in the play Uprooted at the Comedy Theatre in 1947. He also appeared on stage at the Library Theatre in Manchester. His performances in Manchester led to him being cast in his first film.BRIGHT YOUNG MEN OF THE THEATRE—7: LAURENCE HARVEY The Sketch; London Vol. 220, Iss. 2859, (5 May 1954): 403.
Mayflower Productions, which released through Associated British, gave Harvey his first lead, appearing alongside Eric Portman in the Egypt-set police film Cairo Road (1950). It was a minor success.
He had a small role in the Hollywood-financed The Black Rose (1950), starring Tyrone Power and Orson Welles, directed by Henry Hathaway. It was Harvey's first experience in a Hollywood film. He played Cassio in a version of Othello for BBC TV starring Andre Morell.
Harvey starred in leading roles for two B-pictures for director Lewis Gilbert at Nettleford Films: Scarlet Thread (1951) and There Is Another Sun (1951). For Ealing, he made I Believe in You (1952), directed by Basil Dearden. According to Sight and Sound this performance gave "an indication of Harvey's true metier. While Basil Dearden's direction focused on honest Harry Fowler, it was Harvey's Jordie who supplied an authentic glimpse of pin-table thuggery, his clothes and hairstyle on the cusp between cosh-boy and Teddy Boys and his manner redolent of a languorous sexuality no amount of National Service could quell."
He starred in the low-budget thriller A Killer Walks (1952). In 1951 he appeared on stage in Hassan at the Cambridge Theatre.
In 1953 he played Orlando on a BBC TV version of As You Like It, opposite Margaret Leighton, whom he would later marry.
Romulus put him in two ensemble films: a comedy, Innocents in Paris (1953) and a crime thriller, The Good Die Young (1954). He had an especially strong role in the latter, which was directed by Lewis Gilbert, and featured Hollywood actors such as John Ireland, Richard Basehart and Gloria Grahame, along with Leighton. This has been called his "first performance of note."
Harvey received an offer to play the juvenile male lead in the Hollywood spectacular King Richard and the Crusaders (1954), a medieval swashbuckler for Warner Bros starring Rex Harrison, Virginia Mayo and George Sanders. It was a box-office disappointment, although Harvey's performance was well received.LAURENCE OF LITHUANIA: Laurence Harvey Sets the Course From His Homeland to Screen Stardom By HOWARD THOMPSON. The New York Times 20 June 1954: X5.
Harvey played Romeo in Renato Castellani's adaptation of Shakespeare's Romeo and Juliet (1954), narrated by John Gielgud. His performance was generally not well received.Laurence Harvey The Guardian 27 November 1973: 7. According to a contemporary interview, he turned down an offer to appear in Helen of Troy (1955) to act at Stratford-upon-Avon, where he again performed in Romeo and Juliet, this time on stage.
Romulus gave Harvey another excellent chance when he was cast as the writer Christopher Isherwood in I Am A Camera (1955), with Julie Harris as Sally Bowles. He and Leighton starred in an adaptation of A Month in the Country for ITV Play of the Week (1955). He made his Broadway debut in 1955 in the play Island of Goats, a flop that closed after one week, though his performance won him a 1956 Theatre World Award. While in the US he appeared on TV in an episode of The Alcoa Hour called The Small Servant , co-starring Diane Cilento.Drama: Laurence Harvey Faces Heavy Duty; Lew Ayres' Religious Films Unique Schallert, Edwin. Los Angeles Times 17 October 1955: B11.
Zoltan Korda used him as one of the soldiers in Storm Over the Nile (1955), a remake of The Four Feathers (1939), playing the part taken by Ralph Richardson in the 1939 version. It was popular in Britain as was the comedy Three Men in a Boat (1956), made for Romulus under the direction of Ken Annakin.
Harvey appeared in The Bet for ITV Television Playhouse (1956) then did another for Romulus, After the Ball (1957), a biopic of Vesta Tilley, in which Harvey played Walter de Frece. He followed it with The Truth About Women (1958), a comedy directed by Muriel Box for Beaconsfield Productions.
Harvey returned to Broadway in 1957 to appear alongside Julie Harris, Pamela Brown and Colleen Dewhurst in William Wycherley's The Country Wife (a production he had originally starred in at London's Royal Court Theatre).
For Romulus, Harvey starred in The Silent Enemy (1958), with his old friend Sid James, a biopic of war hero Lionel Crabb.
Harvey went to Broadway in 1958, as Shakespeare's Henry V, as part of the Old Vic company, which featured a young Judi Dench as Katherine, the daughter of the king of France.Laurence Harvey's 'Henry V' Opens Old Vic Series Tomorrow: Laurence Harvey Due in Old Vic 'Henry Y' Smith, Cecil. Los Angeles Times 5 October 1958: E1.
Harvey followed it with the musical Expresso Bongo (1959), a film best remembered for introducing Cliff Richard.Laurence Harvey Starring in Soho Yarn by Mankowitz By Harold Rogers. The Christian Science Monitor (1908–Current file); Boston, Mass. Boston,21 July 1960: 5. He did The Violent Years for the ITV Play of the Week (1959).
While in the US he appeared in "Arthur", an episode of Alfred Hitchcock Presents directed by Hitchcock himself.
Even more successful was Harvey's next Hollywood film, MGM's BUtterfield 8 (1960), which won Elizabeth Taylor her first Oscar. He was named for The Eddie Chapman Story but it was not made until years later, as Triple Cross with Christopher Plummer.Laurence Harvey Star in Famous Spy Story Hopper, Hedda. Chicago Daily Tribune 22 July 1960: b4.
Back in Britain, Harvey was cast in the film version of The Long and the Short and the Tall (1961) in a role originally performed by Peter O'Toole during the play's West End run. He clashed with Richard Todd and Richard Harris during filming but the movie was a hit in Britain.Preparation Helped Laurence Harvey Find Room at the Top By Hedda Hopper. The Washington Post and Times-Herald 1 January 1961: C6. He was announced for some films that were not made ( The Disenchanted from the novel by Budd Schulberg, No Bail for the Judge from Alfred Hitchcock, The Lion, and The Long Walk).LAURENCE HARVEY FACES BUSY YEAR: British Actor to Have Roles in 8 Films – Bardot to Be Seen Without Subtitles The New York Times 28 January 1960: 26.
In the U.S., he supported Shirley MacLaine in MGM's Two Loves (1961) and co-starred with Geraldine Page in the film adaptation of Tennessee Williams's Summer and Smoke (1961), directed by Peter Glenville. He signed to appear in the film of Five Finger Exercise but was not in the eventual film.Laurence Harvey Signed The Christian Science Monitor 17 January 1961: 4. His fee around this time was $300,000 a film.Laurence Harvey Agrees to a Single Picture Deal Hopper, Hedda. Chicago Daily Tribune 16 January 1961: c8.
Harvey played the male lead in Walk on the Wild Side (1962), produced by Charles Feldman, cast alongside Barbara Stanwyck, Jane Fonda and Capucine. Fonda was not positive about the experience of working with him: "There are actors and actors – and then there are the Laurence Harveys. With them, it's like acting by yourself."
The same year, he recorded an album of spoken excerpts from the book This Is My Beloved by Walter Benton, accompanied by original music by Herbie Mann. It was released on the Atlantic Records label. He narrated a TV musical, The Flood (1962).
MGM cast Harvey as Wilhelm Grimm in the MGM film The Wonderful World of the Brothers Grimm (1962), produced by George Pal. Harvey's performance earned him a nomination for the Golden Globe Award for Best Actor – Motion Picture Drama. The fantasy movie filmed in 3-strip Cinerama was a box office disappointment.
Harvey appeared as the brainwashed US Army Staff Sergeant Raymond Shaw in the Cold War thriller The Manchurian Candidate (1962), directed by John Frankenheimer and starring Frank Sinatra and Angela Lansbury. Film critic David Shipman wrote: "Harvey's role required him to act like a zombie and several critics cited it as his first convincing performance". The movie was a hit and has since become critically highly regarded, and is one of Harvey's better-remembered films.
Harvey went to Japan to make A Girl Named Tamiko (1962) with France Nuyen for director John Sturges and producer Hal Wallis. "I have suddenly found the gates of Hollywood opened to me," he said at the time.LAURENCE HARVEY A RUNAWAY? 'NONSENSE!' Alpert, Don. Los Angeles Times 10 December 1961: Q10.
He followed this with The Running Man (1963), directed by Carol Reed, with Lee Remick and Alan Bates.
Harvey played King Arthur in the 1964 London production of the Alan Jay Lerner and Frederick Loewe musical Camelot at the Theatre Royal, Drury Lane.
He was the male lead in an adaptation of W. Somerset Maugham's Of Human Bondage (1964), co starring Kim Novak. Harvey had been connected to the project for several years.Of Local Origin The New York Times 15 December 1961: 46. It was a troubled shoot, with Harvey and Novak clashing, and original director Henry Hathaway leaving during the shoot and being replaced by Ken Hughes.Anne Sinai, Reach for the Top: The Turbulent Life of Laurence Harvey, Lanham, Maryland, US/Plymouth, UK: Scarecrow Press, 2003 2007, pg. 285 During filming, kidnap threats were made against both Harvey and Novak by student organisations.
The Outrage (1964) was director Martin Ritt's remake of Akira Kurosawa's Japanese film Rashomon (1950). Besides Harvey, the film starred Paul Newman and Claire Bloom, but was unsuccessful critically and commercially.
Harvey reprised his role as Joe Lampton in Life at the Top (1965), directed by Ted Kotcheff. This is considered one of his best later performances.
He had his first commercially successful film in a number of years with Darling (1965), starring Julie Christie and Dirk Bogarde. While Harvey's role in the film is short, his involvement enabled director John Schlesinger to raise financial backing for the project. Harvey starred in a version of The Doctor and the Devils directed by Nicholas Ray from a script by Dylan Thomas but the film was not completed.
Harvey co-starred with Israeli actress Daliah Lavi in the comedy The Spy with a Cold Nose (1966), a parody of the James Bond films. Harvey did The Winter's Tale (1967) and then Dial M for Murder (1967) for American TV.
Harvey completed direction of the spy thriller A Dandy in Aspic (1968) after director Anthony Mann died during production. The film co-stars Mia Farrow. This has been called "his last effective cinema role... The critics greeted it with disdain but the plot was tailor-made for Harvey, who plays a Russian spy who has adopted an English identity so he can go undercover within British Intelligence."
Harvey provided the narration for the Soviet film Tchaikovsky (1969), directed by Igor Talankin.
Harvey starred in She and He (1969), which he helped produce.A Glimpse of the Terribly Baronial Laurence Harvey: Laurence Harvey By Mary Blume. The Washington Post and Times-Herald 5 October 1969: 87.
He had a cameo role as himself in The Magic Christian (1969), a film based on the Terry Southern novel of the same name. He gives a rendition of Hamlet's soliloquy that develops unexpectedly into a campy striptease routine.
He had a small role in WUSA (1970) and was guest murderer on in 1973, portraying a chess champion who kills his opponent. For British TV he appeared in a version of Arms and the Man for ITV Sunday Night Theatre (1971). Joanna Pettet appeared with Harvey in an episode of Rod Serling's Night Gallery ("The Caterpillar", 1972), in which Harvey's character attempts to assassinate a romantic rival by having a burrowing insect dropped in the man's ear.
Harvey starred in Escape to the Sun (1972), directed by Menahem Golan and was reunited with Elizabeth Taylor in Night Watch (1973), financed by Brut Productions. The same company financed Welcome to Arrow Beach (1974), which Harvey directed and starred in; the cast also included his friend Pettet, John Ireland and Stuart Whitman. The film deals with a type of war-related post-traumatic stress disorder that turns a military veteran to cannibalism.
In 1968 he married Joan Perry, the widow of film mogul Harry Cohn. Her marriage to Harvey lasted until 1972.
His third marriage was to British fashion model Paulene Stone. She gave birth to their daughter Domino Harvey in 1969 while he was still married to Perry.Laurence Harvey a Dad...Officially Haber, Joyce. Los Angeles Times 20 June 1972: g9. Harvey and Stone married in 1972 and soon after, he adopted her child from her previous marriage, Sophie Norris (now Sophie Harvey). The wedding took place at the home of Harold Robbins.
In his account of being Frank Sinatra's valet, Mr. S: My Life with Frank Sinatra (2003), George Jacobs writes that Harvey often made passes at him while visiting Sinatra. According to Jacobs, Sinatra was aware of Harvey's sexuality. In his autobiography Close Up (2004), British actor John Fraser claimed Harvey was gay and that his long-term lover was Harvey's manager James Woolf, who had cast Harvey in several of the films he produced in the 1950s.John Ezard "Sexy self-image that revved up Dirk Bogarde", The Guardian, 2 October 2004. Retrieved 30 November 2012.
After working in two films with her, Harvey remained friends with Elizabeth Taylor for the rest of his life. She visited him three weeks before he died. Upon his death, Taylor issued the statement: "He was one of the people I really loved in this world. He was part of the sun. For everyone who loved him, the sun is a bit dimmer." She and Peter Lawford held a memorial service for Harvey in California.
Harvey once responded to an assertion about himself: "Someone once asked me, 'Why is it so many people hate you?' and I said, 'Do they? How super! I'm really quite pleased about it.' "
His daughter Domino Harvey, who later became a bounty hunter, was only four years old at the time. She died at the age of 35, in 2005, after overdosing on the painkiller drug fentanyl. They are buried alongside one another in Santa Barbara Cemetery in Santa Barbara, California.
With his clipped speech, cool smile and a cigarette dangling impudently from his lips, Laurence Harvey established himself as the screen's perfect pin-striped cad. He could project such utter boredom that willowy debutantes would shrivel in his presence. He could also exude such charm that the same young ladies would gladly lend him their hearts, which were usually returned utterly broken ... The image Mr Harvey carefully fostered for himself off screen was not far removed from some of the roles he played. "I'm a flamboyant character, an extrovert who doesn't want to reveal his feelings", he once said. "To bare your soul to the world, I find unutterably boring. I think part of our profession is to have a quixotic personality."According to Sight and Sound, "Any young actor who delighted in pink bathroom suites and liked to compare himself favourably to Olivier, Gielgud and Richardson – preferably in the same sentence – was clearly going to find it hard to fit the mould of New Elizabethan chappism promoted by Rank and ABPC ... Harvey flaunted a cigarette holder almost as a parody of Terry Thomas' and boasted that his drainpipe trousers pre-dated the teddy boys'. His hairstyle always tended towards the baroque and quickly became a trademark."Laurence Harvey: A DANDY IN ASPIC Roberts, Andrew. Sight and Sound; London Vol. 16, Iss. 4, (Apr 2006): 36,38–39,1.
1946 | The Winter's Tale | Camillo | Royal Academy of Dramatic Art | as 'Larry Skikne' | |
1947 | The Seagull | Manchester Intimate Theatre | |||
Amphitryon | |||||
The Kirby Fortune | |||||
The Beaux' Stratagem | |||||
The Circle | |||||
1947 | Uprooted | Nicky Horroway | Comedy Theatre | Wearing (2014) p. 339 | |
1951 | Hassan | Cambridge Theatre, London | Mullin & Gielgud (1996) p. 223 | ||
1951-52 | As You Like It | Royal Shakespeare Theatre, Stratford-upon-Avon | |||
1952 | Coriolanus | Tullus Aufidius | |||
As You Like It | Orlando | ||||
Macbeth | Malcolm | ||||
Volpone | Castrone | ||||
1952-53 | Macbeth | ||||
1954 | Romeo and Juliet | Romeo | Kennedy (2002) p. 139 | ||
Troilus and Cressida | Troilus | ||||
1955 | Island of Goats | Angelo | Fulton Theatre, New York | Theatre World Award | |
1956 | The Rivals | Captain Jack Absolute | Saville Theatre, London | ||
Royal Lyceum Theatre, Edinburgh | |||||
The Country Wife | Mr. Horner | Royal Court Theatre, London | |||
1957 | Adelphi Theatre, New York | ||||
1957-58 | Henry Miller's Theatre, New York | ||||
1958 | Simply Heavenly | UK tour | Director/presenter | ||
1958-59 | Henry V | King Henry V | US tour | ||
Broadway Theatre, New York | |||||
1964-65 | Camelot | King Arthur | Theatre Royal, Drury Lane | Wright (2012) p. 292 | |
1966 | The Winter's Tale | Leontes | Edinburgh Festival Fringe | ||
UK tour | |||||
1970 | Arms and the Man | Major Sergius Saranoff | Chichester Festival Theatre | ||
1971 | Child's Play | Jerome Malley | Theatre Royal, Brighton | ||
Sondheim Theatre |
1948 | House of Darkness | Francis Merryman | |||
1949 | Man on the Run | Detective Sergeant Lawson | Lawrence Huntington | ||
John Matthews | Oswald Mitchell | ||||
Landfall | P/O Hooper | ||||
1950 | Cairo Road | Lieutenant Mourad | |||
Bit part | Uncredited | ||||
Edmond | |||||
Soldier | John and Roy Boulting | Uncredited | |||
1951 | Scarlet Thread | Freddie | |||
There Is Another Sun | Mag Maguire | ||||
1952 | I Believe in You | Jordie Bennett | |||
Ned | |||||
Women of Twilight | Jerry Nolan | ||||
1953 | Innocents in Paris | François | Uncredited | ||
1954 | Miles Ravenscourt | ||||
King Richard and the Crusaders | Sir Kenneth of Huntington | ||||
Romeo and Juliet | Romeo | ||||
1955 | I Am a Camera | Christopher Isherwood | |||
Storm Over the Nile | John Durrance | ||||
1956 | Three Men in a Boat | George | |||
1957 | After the Ball | Walter de Frece | |||
Sir Humphrey Tavistock | |||||
1958 | Lieutenant Crabb | ||||
1959 | Room at the Top | Joe Lampton | Nominated- Academy Award for Best Actor Nominated- BAFTA Award for Best British Actor Nominated- New York Film Critics Circle Award for Best Actor | ||
Power Among Men | Narrator (voice) | Alexander Hackenschmied | Documentary | ||
Expresso Bongo | Johnny Jackson | Nominated- BAFTA Award for Best British Actor | |||
1960 | William Barret Travis | John Wayne | |||
BUtterfield 8 | Weston Ligget | ||||
1961 | Private 'Bammo' Bamforth | ||||
Two Loves | Paul Lathrope | ||||
Summer and Smoke | John Buchanan Jr. | Peter Glenville | |||
1962 | Walk on the Wild Side | Dove Linkhorn | |||
Wilhelm Grimm / The Cobbler | Nominated- Golden Globe Award for Best Actor in a Motion Picture – Drama | ||||
Raymond Shaw | |||||
Ivan Kalin | |||||
1963 | Rex Black | ||||
Sean McKenna | Himself | Also director | |||
1964 | Of Human Bondage | Phillip Carey | |||
Husband | |||||
1965 | Darling | Miles Brand | |||
Life at the Top | Joe Lampton | ||||
1966 | Dr. Francis Trevelyan | ||||
1967 | King Leontes | ||||
1968 | Eberlin | Anthony Mann Himself | Took over directing after Mann's death without credit | ||
Russian Prince | Tony Richardson | Uncredited cameo | |||
Cethegus | |||||
1969 | Rebus | Jeff Miller | |||
L'assoluto naturale | "He" | Also uncredited producer | |||
Hamlet | |||||
1970 | WUSA | Farley | |||
Tchaikovsky | Narrator | ||||
Hughie Warriner | Orson Welles | ||||
1972 | Escape to the Sun | Major Kirsanov | |||
1973 | Night Watch | John Wheeler | |||
F for Fake | Himself | Orson Welles | |||
1974 | Welcome to Arrow Beach | Jason Henry | Himself | Also director, posthumous release |
1950 | Othello | Michael Cassio | (BBC TV) | |
1953 | As You Like It | Orlando | (BBC TV) | |
1955 | ITV Play of the Week | Beljajew | A Month in the Country | |
The Alcoa Hour | Dick Swiveller | The Small Servant | ||
1956 | ||||
1957 | Holiday Night Reunion | |||
1959 | Alfred Hitchcock Presents | Arthur Williams | Season 5 Episode 1: Arthur | |
ITV Play of the Week | Chris/Misha | The Violent Years | ||
1960 | Pontiac Star Parade | Self | The Spirit of the Alamo, wrap party in Brackettville, Texas | |
What's My Line? | Self | Guest panelist 6 March; mystery guest 1 May | ||
Here's Hollywood | Self | Episode 1.19 | ||
1962 | Self | 9 March episode | ||
Narrator | (2025). 9780300075373, Yale University Press. ISBN 9780300075373 | |||
1964 | Password | Self | Georgia Brown v. Laurence Harvey | |
Self | Episode 18.5 | |||
Self | Episode 1.2 | |||
1965 | Self | Episode 2.15 | ||
Self | Episode 3.14 | Inman (2005) p. 159 | ||
1966 | Hollywood Talent Scouts | Self | 31 January episode | |
Late Night Line-Up | Self | 5 February episode, BBC | ||
1967 | Self | 27 April episode | ||
Dial M for Murder | Tony Wendice | TV movie | ||
Self | 17 October 1967 episode | Inman (2005) p. 167 | ||
1968 | Self | Episodes 2.245 and 3.40 | ||
Marvelous Party! | Host | A 70th birthday tribute to Noël Coward | ||
1969 | Rowan and Martin's Laugh-In | Self | Episode 2.25 | |
Joker's Wild | Self | American TV game show | ||
1970 | Self | Episode 2.184 | ||
1971 | ITV Saturday Night Theatre | Major Sergius Saranoff | Arms and the Man | |
Self | 11 May episode | |||
The Tonight Show Starring Johnny Carson | Self | 19 November episode | ||
Celebrity Bowling | Self | Unknown episode | ||
1972 | Night Gallery | Steven Macy | Episode: "Caterpillar" | Lofficier & Lofficier (2005) p. 113 |
1973 | Columbo | Emmett Clayton | Episode: "The Most Dangerous Match" | |
45th Academy Awards | Self (presenter) | Special | ||
The Tonight Show Starring Johnny Carson | Self (guest) | Episode dated 8/24/73 | ||
Academy Awards | 4 April 1960 | Best Actor | Room at the Top | ||
British Academy Film Awards | 1959 | Best British Actor | |||
1960 | Expresso Bongo | ||||
Golden Globe Awards | 5 March 1963 | Best Actor – Motion Picture Drama | The Wonderful World of the Brothers Grimm | ||
12 February 1968 | World Film Favorite - Male | ||||
Golden Laurel Awards | 1960 | Top Male New Personality | |||
New York Film Critics Circle Awards | 1959 | Best Actor | Room at the Top | ||
Theatre World Award | 1956 | Island of Goats | |||
Western Heritage Awards | 1961 | Theatrical Motion Picture | The Alamo |
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